Archive for the ‘drums’ tag
Solos Drum

In Drum Solos, are all the drummers just doing rudiments around the kit?
Do drummers just play really fast rudiments in drum solos?
It often depends on the style of drumming. Many rock drummers may not base their solos on rudiments, but they will apply some of the same principles that rudiments use.
Rudiments are common, however in jazz drumming. But it is mainly knowing how to apply the rudiments and how to shape them to fit the tone of whatever music is being played. Artists can build a solo, beginning with basic rudiments, and can then elaborate on the rudiments to build up to an incredibly display of skill. Take a look at some jazz drummers and see for yourself.
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Innervisions $6.45 One of Stevie Wonder’s best albums, and the one where his more fanciful, free-form moments gel perfectly with his knack for irresistible pop singles, 1973’s Innervisions swings between delicate and airy ballads, Latin-influenced rhythms (the hit “Don’t Worry ‘Bout a Thing”), and his own synth-heavy versions of gut-bucket soul (the determined spiritual questing of “Higher Ground”). The striking jux… |
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In-A-Gadda-Da-Vida $4.19 Iron Butterfly’s 1968 album veritably defined the burgeoning genre of hard-rock, primarily by way of its utterly over-the-top title cut. Reportedly composed by keyboardist/lead singer Doug Ingle in such a stoned-out, numb-tongued condition that he couldn’t properly pronounce its intended title–”In the Garden of Eden”–the track seemed almost a parody of every excessive inclination of psychedelia… |
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City of Evil $6.19 AVENGED SEVENFOLD CITY OF EVIL… |
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Classic Drum Solos and Drum Battles [VHS] $24.95 A must for students and fans of jazz drumming, Classic Drum Solos and Drum Battles should also be seen by those whose exposure to drumming has been limited to crash-and-bang rock drummers, most of whom couldn’t play a real solo if their paradiddles depended on it. The solos here are from separate performances recorded between 1957 and 1978. Those by Rufus Jones (who makes clear why his nickna… |
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Don Brewer: Live at the Modern Drummer Festival 2000 [VHS] $24.98 Don Brewer was a founding member of Grand Funk Railroad and is one of the most influential drummers in rock history. This video captures his first-ever drum clinic, presented at the Modern Drummer 2000 Festival, in its entirety! He performs five Grand Fun… |
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Solo Drums [VHS] $39.95 … |
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(20×28) La Cocotte Peace & Music Wall Stickers $40.00 (20×28) La Cocotte Peace & Music Wall Stickers… |
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Solo Four Light Pendant in Oiled Bronze $558.00 8202-28-86 Features: -Pendant.-Contemporary style.-White acrylic shade. Color/Finish: -Oiled bronze finish. Specifications: -Accommodates (4) 60W medium base bulb (not included). Dimensions: -Overall dimensions: 17” H x 27.75” W. Collection: -Solo collection…. |
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Solo One Light Pendant with White Acrylic Shade in Oiled Bronze $278.00 8202-14-86 Features: -Pendant.-Contemporary style.-White acrylic shade. Color/Finish: -Oiled bronze finish. Specifications: -Accommodates (1) 100W medium base bulb (not included). Dimensions: -Overall dimensions: 16.75” H x 13.75” W. Collection: -Solo collection…. |
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The Razor’s Edge $7.02 A SOUL-SEARCHING WORLD WAR I VETERAN SHUNS HIS PLANNED MARRIAGE TO A SOCIETY GIRL AND TRAVELS ABROAD IN SEARCH OF THE MEANING OF LIFE…. |
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? dmenn $19.98 ? dmenn were a short-lived Icelandic hard-prog band; they released only one album before disbanding. But it was quite an album — a double disc, now remastered and fit onto a single CD, it encapsulates both their abilities and its time period quite well. There’s a single, “It Takes Love,” which is the only song out of 15 sung in English (and good English at that); tasteful organ and jazzy drums shadow the vocalist for a midtempo three-and-a-half-minute journey that skirts the territory explored by the Doors and the early Moody Blues. The lyrics aren’t the only thing that make this song stand out from the rest of the album, though. ? dmenn were primarily a boogie band with some artistic pretensions, and the rest of these songs are almost proto-metal at times, with plenty of distorted guitar solos and hard riffing. “Betri Heimur” is built on a hypnotic, caveman-simple bassline that’s not far away from what the Swedish band November were doing at the same time. Some songs, like “? ? r Sviku,” have the feel of electrified folk music, with a particularly energetic drummer (his work is excellent throughout, and his drum solo on “Frelsi” is well deserved). “Frelsi,” the last song on the disc, occupied all of side four on the original vinyl; it’s a sprawling, nearly 19-minute epic of the type nearly every rock band attempted at the time, but it’s got more cohesion and artfulness than most managed. The Shadoks label has taken as its mission the urge to prove that great rock can come from anywhere. With ? dmenn, they’ve made their case once again. ~ Phil Freeman, Rovi |
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Benny Greb – The Language of Drumming – A System for Musical Expression $39.95 A revolutionary addition to drum education, this DVD presents the method created and used by internationally-acclaimed drummer Benny Greb to develop his awe-inspiring creativity, musicality and technique. It features explanations and demonstrations of how Greb’s 24-character “rhythmic alphabet” can be used to develop timing, technique, dynamic control and speed – even the traditional drum rudiments – covering hands and feet, with and without a practice pad, and the full drumset. Also includes a comprehensive archive of printable PDF charts and exercises, additional drum solos, performances with percussionist Pete Lockett and the Benny Greb Brass Band and more. Running time: 3 hours, 12 minutes. |
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Cactus $13.98 Cactus may have never amounted to anything more than a half-hearted, last-minute improvised supergroup, but that don’t mean their eponymous 1970 debut didn’t rock like a mofo. The already quasi-legendary Vanilla Fudge rhythm section of Bogert and Appice may have provided the backbone of the band’s business cards, and soulful, ex-Amboy Duke Rusty Day brought the voice, but it was arguably former Detroit Wheels guitarist Jim McCarty who was the true star in the Cactus galaxy, spraying notes and shredding solos all over album highlights such as “You Can’t Judge a Book By the Cover,” “Let Me Swim,” and, most notably, a manic, turbocharged version of “Parchman Farm.” The fact that Cactus chose to tackle this classic blues song just a year after it’d been blasted into the fuzz-distortion stratosphere by Blue Cheer betrays — at best — a healthy competitive spirit within the early-’70s hard rock milieu, and at worst it suggests something of a mercenary nature to Cactus’ motives, but that’s an issue for the surviving bandmembers to duke it out over in the retirement home. And we digress — for the blistering closing duo of “Oleo” and “Feel So Good” (complete with bass and drum solo slots) easily certifies the Cactus LP as one of the best hard rock albums of the then brand-new decade, bar none. Too bad the illustrious members of Cactus would quickly lose interest in this band project and deliver increasingly mediocre efforts in the years that followed. ~ Eduardo Rivadavia, Rovi |
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Chet Baker & Crew $23.98 The numbers heard on Chet Baker & Crew were among a prolific flurry of recordings Baker was involved in during the last week of July 1956 — fresh from an extended European stay. Sessions were held every day from the 23rd through the 31st, which resulted in such classic titles as The Route, Chet Baker Sings, and Chet Baker Quintet at the Forum — which is also available under the title Young Chet — as well as Chet Baker & Crew. The crew on these sides includes Phil Urso (tenor sax), Bobby Timmons (piano), Jimmy Bond (bass), Peter Littman (drums), and of course Baker (trumpet/vocals). Joining the combo on both the original as well as the alternate take of “To Mickey’s Memory” and “Pawnee Junction” is Bill Loughbrough (chromatic tympani). His unmistakable percussive accents and tuned drum solos give these West Coast bop tracks uniquely Polynesian intonations. The band members take full advantage of their individual roles and abilities as soloists to really stretch out on “Slightly Above Moderate” and the Urso-credited composition “Halema” — named after Baker’s wife. The chemistry of cool that flows between Urso and Baker is perhaps at its finest during the seamless exchange heard on “Worryin’ the Life Out of Me.” Timmons also boasts notable contributions throughout. His playful and scampering style dresses up the bluesy “Lucius Lu” and “Line for Lyons,” among others. The latter is also notable as it contains the sole Baker vocal on this set. Baker enthusiasts seeking companion tracks featuring the same lineup should likewise obtain the 1995 CD release Young Chet. Among the contents is the frenetic rendering of “Night on Bop Mountain.” [The 1993 CD reissue of Chet Baker & Crew increases the original eight-song Pacific Jazz collection to include all 14 tracks completed during three sessions in late July 1956 at the Forum Theater in Los Angeles.] ~ Lindsay Planer, Rovi |
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Classic Rock Drum Solos $29.95 Hosted by rock drumming innovator/educator Carmine Appice, Classic Rock Drum Solos traces the origins of the rock drum solo form, with vintage footage of pioneers like Gene Krupa, Lionel Hampton, Louis Jordan’s Shadow Wilson, Louis Prima’s Jimmy Vincent, Bill Haley’s Ralph Jones and the Ventures’ Mel Taylor, as well as some of the best from classic rock, including: Ginger Baker, Don Brewer, Clive Bunker, Keith Moon, Ron Bushy, Ian Paice, Cozy Powell, Steve Smith, and others. |
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Design in Time $16.98 An excellent recording from Chicago jazzmen Ken Vandermark, Tim Mulvenna, and Robert Barry. The trio takes classic “out” tunes and originals and makes them sparkle, giving each a clean execution that’s as much inspired energy as it is technique and craft. Barry interlaces with Mulvenna, achieving a complementary and balanced percussion section that sometimes acts as foil, sometimes impetus, for the directions of the reed playing. Easily one of Vandermark’s best recorded dates yet (it’s a treat to hear his clarinet work here, too), Design in Time is filled with that certain something that’s sometimes missing from his studio recordings, but never from his live shows. Particularly hot tracks include the trio’s takes on Thelonious Monk’s “Green Chimneys” and Ornette Coleman’s “Feet Music.” Vandermark’s piece for Billy Higgins, “Well Suited,” is a lovely ballad, featuring warm saxophone and summer-shower drum solos. Design in Time is a very strong jazz release that becomes more wowing and impressive with each listen. ~ Joslyn Layne, Rovi |
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Double Bass Drumming – Joe Franco $29.95 Learn to drum like the pros with this program designed to pass along the best tips for double bass drumming from rock veteran Joe Franco. Based on his best-selling book Double Bass Drumming, Franco brings his years of experience in the metal music scene to deliver an exhaustive double-bass instructional using concert footage, on-screen notations and exclusive drum solos. ~ Jeremy Wheeler, Rovi |
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Drum Classics Pack – Classic Drum Solos and Drum Battles, Volumes 1 and 2 $0 Includes the complete DVDs Classic Drum Solos and Drum Battles, Volumes 1 and 2. Each DVD presents 15 drumming legends. At a savings of $20 with more than 2 hours of footage in all, this package is a great deal!Also available separately:Classic Drum Solos and Drum Battles Volume 1 – 00320289/$29.95Classic Drum Solos and Drum Battles Volume 2 – 00320335/$29.95 |
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Drum Solos Revisited $19.95 Various Artists / Digital Video Disc (DVD) / 2004 |
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Drums Around the World: Philly Joe Jones Big Band Sounds $11.99 Drummer Philly Joe Jones takes a lot of solo space (including an unaccompanied “The Tribal Message”) throughout this CD reissue. He utilizes an all-star group with such soloists as trumpeter Lee Morgan and Blue Mitchell, trombonist Curtis Fuller, Herbie Mann on flute and piccolo, altoist Cannonball Adderley, Benny Golson on tenor, baritonist Sahib Shihab, pianist Wynton Kelly and either Sam Jones or Jimmy Garrison on bass. The music is supposed to showcase styles from around the world including Latin America and the Far East but in general those references are somewhat superficial (including “Cherokee”) and come out sounding like hard bop. There is some strong playing but this set is primarily recommended to fans of Philly Joe Jones’s drum solos. ~ Scott Yanow, Rovi |
Drums Book

is there a drum learning book on how to play blink 182 songs?
is there like a book or a video learning system for blink-182 songs? i love punk bands like blink-182 who are my second favorite band.i’m gonna learn how to play the drums soon, so your answer could be helpful.
I am a drummer, and I fully agree with the person above me. Using your ears is hard at first, but it becomes easier and easier. Drums isn’t really hard to look out for in songs. But if you really can’t be bothered, you can go onto youtube and type in drum tuotorials for blink 182. If you can’t find any decent videos, you can just watch the people doing covers- it makes it much easier to listen for the drums.
Good luck with your drumming!
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Alice And The Drums Photo Mugs DRUMS Alice covers her ears to the sound of the drums …. |
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Enjoying Presents Photo Mugs Children with their presents share the delights of a picture book …. |
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Medal commemorating the capture of Brunswick, 1671; obverse Photo Mugs Medal commemorating the capture of Brunswick, 1671. Obverse A trophy of a drum, cannons and shells surmounted by an open book inscription with Hebrew script; flags and weapons. Reverse Starboard quarter view of a three-masted battleship, supported on waves, under sail before a favourable wind; above (left) a hemisphere inscribed with Hebrew script, with clouds and rays….. |
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Step Brothers (Single-Disc Unrated Edition) $6.98 STEP BROTHERS – DVD Movie… |
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The Neverending Story $3.51 DVD… |
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Thunderheart $4.13 Tough but moving, Thunderheart is an unusual story about an arrogant FBI agent (Val Kilmer) who participates in a federal investigation of a murder on an Oglala Sioux reservation. Kilmer’s character is part Sioux himself, a detail that leaves him cold as he sets about pushing his way through the community to find facts on the case. In time, however, he begins to feel an ethnic tug and grows i… |
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Thickfreakness $8.62 Akron, Ohio’s Black Keys offer crunchy, riff-heavy blues-rock that is remarkably rich and textured, particularly when one considers that they are merely a duo. Continuing in the vein of their 2002 debut, The Big Come Up, this sophomore CD leavens their garage blues with enough innovation to keep things interesting, taking full advantage of Dan Auerbach’s full-throated growl. Particularly appealing… |
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Nightmare $7.38 AVENGED SEVENFOLD NIGHTMARE… |
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Elmo’s World – Dancing, Music, and Books $5.17 Everyone’s favorite preschool monster demonstrates three activities in this compilation of some popular “Elmo’s World” segments from Sesame Street. Joining him are segment regulars Dorothy the pet goldfish and Mr. Noodle, the lovable, bumbling adult stand-in for children, who makes mistakes but perseveres until he gets it right. In each episode, real children also take turns mastering the skil… |
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The Lion King Trilogy (Eight-Disc Combo: Blu-ray 3D / Blu-ray / DVD / Digital Copy) $61.50 Not an ideal choice for younger kids, this hip and violent animated feature from Disney was nevertheless a huge smash in theaters and on video, and it continues to enjoy life in an acclaimed Broadway production. The story finds a lion cub, son of a king, sent into exile after his father is sabotaged by a rivalrous uncle. The little hero finds his way into the “circle of life” with some new friends… |
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55 Cadillac $16.99 Andrew W.K. has done a lot of unusual things in his career — not everyone can have a Cartoon Network show and be a member of Current 93 (not to mention run a club, release an album of J-pop covers, and publish a book of advice) at the same time. Still, 55 Cadillac may be one of the most unique additions to his body of work: it’s a collection of “spontaneous solo piano improvisations” — or “SSPIs” as W.K. calls them — inspired by his car. It’s also, like most of his projects, kind of ridiculous and kind of amazing. He’s completely committed to the concept, and he has the skills to pull it off. After all, W.K. is a classically trained pianist who began taking lessons at age four, and his keyboard chops added fizz to I Get Wet and Close Calls with Brick Walls and majestic heft to The Wolf. That prowess is the focus of this album; on his Steinway & Son Model D concert grand piano, Andrew W.K. weaves classical, jazz, rock, and experimental elements together with an accomplished ebb and flow from piece to piece and within each track. The fantastically named “Begin the Engine” (why merely start an engine when you can begin it?) is overtly classical-influenced, kicking off with the sound of crickets and a motor roaring to life before W.K.’s dazzling arpeggios and otherwise deft playing take over for nearly nine minutes. Shorter tracks like “Seeing the Car,” which tosses hints of ’50s-style rock into the mix, and the lunging, jazzy “Central Park Cruiser” are more immediate and nearly as impressive. Only a couple of moments on 55 Cadillac sound anything like Andrew W.K.’s previous albums: “Night Driver” ranges from atonal boogie-woogie to W.K. tapping on the piano’s edge (which might be the piano equivalent of a drum solo) and has an anthemic quality that’s fully realized by “Cadillac,” which boasts drums and laser-guided guitars that bring the album to a satisfyingly over the top close. Fans of his louder music might not play this often, but 55 Cadillac i… |
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A Celebration of Praise (For the Beauty of the Earth) – Band Music Press $0 From the opening sounds of the drums, A Celebration of Praise will dramatically take both musicians and audience members on an inspiring and greatly satisfying musical journey. Noted composer James Swearingen has majestically created a young band setting of the popular hymn For The Beauty of The Earth. Well-suited as a concert opener, this outstanding work features solid scoring techniques for beginning players as well as challenging but playable parts for the percussion section. (Grade 1.5) |
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Beatles Gear – All the Fab Four’s Instruments from Stage to Studio $40 The official technical reference book for Beatles Rock Band, written by the official consultant to the game for technical specifications!This landmark book details exactly which guitars, drums, amplifiers and keyboards The Beatles used at the key points of their relatively brief but entirely revolutionary career – from the formation of the Quarry Men in the 1950s to the dissolution of the Beatles in 1970. It provides a fascinating fresh insight into Beatles history from an entirely new viewpoint, and along the way many myths are exploded and dozens of stories told for the first time. |
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Been There, Done That! $0 This funky original from Michael Sweeney is very effective for beginning groups and one that is fun to play. Includes short 4-measure feature spots for each section inclding drums. Also features a written or ad lib solo for any sax. |
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Bixieland/Eddie Condon’s Treasury of Jazz $13.98 Few jazzmen active during the mid-’50s were more worthy of recording tributes to the era of classic jazz, just three decades distant, than Eddie Condon. Fitting, then, that two of his most interesting throwback dates, Bixieland and Eddie Condon’s Treasury of Jazz, were combined for this Collectables two-fer. The first includes ten of Bix Beiderbecke’s most popular features from the man who coined the most famous description of his style (“The sound came out like a girl saying yes”). Bobby Hackett takes onto his shoulders the heavy weight of living up to the legend’s cornet, a fitting assignment for the man briefly known as “the new Bix” only a few years after Beiderbecke’s death in 1931. Though a Dixieland date hardly need worry about artistic tension, Hackett performs admirably on versions of Beiderbecke’s best (“I’m Comin’ Virginia,” “Singin’ the Blues,” “Jazz Me Blues”), echoing the melodic clarity and quick decisions of Beiderbecke, framed by Condon and the all-stars. The second date was a tribute as well, the musical version of a book just published, featuring Condon’s salutes to some of his favorite jazz artists, including rarer choices like Lee Wiley and Turk Murphy as well as obvious ones like Duke Ellington and Louis Armstrong. The lineup features these songs well, combining Condon’s guitar with Wild Bill Davison on cornet, Pee Wee Russell or Edmond Hall on clarinet, Walter Page on bass, George Wettling on drums, and Cutty Cutshall on trombone. All in all, this reissue combines a pair of sessions playful, brash, and unassuming, welcome to fans of Dixieland jazz. ~ John Bush, Rovi |
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Broken Record $16.98 Songwriter Lloyd Cole has had his share of ups and downs. After releasing the bona fide classic Rattlesnakes and the truly fine Easy Pieces in the 1980s with his band the Commotions, Cole jumped from Universal to Capitol, where he cut his self-titled solo album and the critically acclaimed Don’t Get Weird on Me Babe. Neither sold. He moved to Rykodisc for two albums before slipping out of sight in 1995 for the decade’s remainder. He returned in the new century and released independent albums every couple of years, but they went mostly unnoticed. Cole quietly disappeared again after 2006’s Anti-Depressant. In 2009, he emerged again and appealed to his small but dedicated fan base for help in financing a new album. Broken Record, released in Europe in late 2010 and in the U.S. in the middle of 2011 is the result. The gamble paid off in spades creatively. Recorded in Manhattan with Commotions’ keyboardist Blair Cowan, session drummer Fred Maher, guitarists Mark Schwaber and Matt Cullen, among others, Broken Record is small in scope, but full of crafty hooks, wry, self deprecating humor, and genuine irony. Cole’s lyric panache is enhanced by this solid meld of classic singer/songwriter-ish pop, country-tinged rock, and crystalline production. The album’s first single, “Writer’s Retreat!,” is a jangling rocker with mandolins, harmonica, 12-string guitars, popping snares, the biting, opening line: “When you get back from the writer’s retreat/I won’t be there waiting”, and the killer refrain: “You can get a beat from a broken heart/You can write the book fallin? apart/You can have it all but the one you want/Just going for a song.? “That’s Alright” is another scintillating pop/rock number that deals with the end of a relationship in a more biting manner, but the wordsmithing is so top-notch it doesn’t sound like sour grapes. “Westchester County Jail” could have come right out of the Commotions’ catalog. Banjo, piano, and pedal steel and drums adorn the tit… |
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Circa: Now! [Bonus Tracks] $14.98 Circa: Now!, Rocket from the Crypt’s second album, represents the toughening up and expansion of the band’s sound. Never content to play their punk rock by the book, they used dynamics, songcraft, and the sax of Apollo 9 to add texture and power to their rock-hard guitar/bass/drums foundation. The album was recorded as the band was barricaded inside an L.A. studio during the April 1992 riots that tore the city apart. Some of the songs like the frantic “Killy Kill,” “Short Lip Fuser,” and “Dollar” are back-to-the-wall rockers that sound like the work of a band in the middle of something heavy. Elsewhere, the bandmembers show they aren’t afraid to get melodic on the Soul Asylum-influenced “Hairball Alley.” They aren’t afraid to strip the guitars back and get atmospheric, either, as the Brill Building punk ballad “March of Dimes” illustrates. The truly epic track on the album that pointed toward the brilliance of 1995’s Scream, Dracula, Scream! is “Ditch Digger,” a track with amazing dynamics and a bullfighter’s bravado that actually threatened to become a hit in the crazy post-Nirvana daze of 1992. Speaking of post-Nirvana madness, after Circa: Now! was released on Cargo/Headhunter, the band became the subject of a frantic major-label bidding war that Interscope won after throwing a ridiculous wad of cash at the band. They sent the band in to record more songs for the imminent re-release, but without telling them rushed it out before the songs could be completed. The 2004 reissue on Swami adds the four songs and some liner notes by Speedo that really give a sense of how crazy the recording of the album was. The bonus tracks lack some of the power of the original album but are a nice addition, especially “Flight of the Hobo,” which has an epic Styx gone punk feel. The other three are short and simple punk tunes. If you never managed to catch on to RFTC at the time, this reissue is a fine way to get acquainted with the group and their powerful and imagi… |
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Grind Finale $14.98 Grind Finale is a comprehensive two-CD compilation that gathers all of Nasum’s non-album tracks, including demo, outtake, and Japanese-only bonus material as well as songs from a variety of 7″s, split releases, EPs, and tribute albums. It amounts to a whopping 152 tracks over more than two hours of running time. The first disc contains 90 tracks, and begins with material from a split with Agathocles recorded in 1993. At this point, they were a quartet with Mieszko Talarczyk (guitar) and Anders Jakobson (guitar/bass) — the two mainstays of the group over the years — not yet settled into their eventual roles: Talarczyk eventually became the producer and main vocalist (while still playing guitar), with Jakobson switching to the drums. Like much of the other material from the first disc, these recordings show Nasum before they had really found their identity, offering a more rough, primitive version of the politically charged modern grindcore of their classic 2000s releases. Disc one gets stronger around midway through, though, with the mid-’90s Industrislaven and World in Turmoil releases (tracks 48-66 and 67-82, respectively). That said, disc two is the real attraction, beginning with 1997’s excellent Regressive Hostility sessions (tracks 1-16), which mark the arrival of the classic Nasum sound: short, condensed blasts of sound with harsh, well-sculpted production and some surprisingly melodic undercurrents in the guitar work. This level of quality is maintained throughout the second disc, with the last recordings coming from the same sessions that yielded the excellent Shift album. Along the way are covers of Discharge and Carcass (two key influences on the band) and, really, too many other highlights to list. Also of note here is the packaging, which features detailed liner notes, photos, and lyrics, all bound in a hardcover-book-like exterior. This is a fantastic compilation that does a great job of commemorating this influential group, which is easily one of… |
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How Deep is the Ocean $0 Here is a unique version of this all-time great tune done in a Latin style. This easy chart features creative harmonies and exceptional scoring. Short solos are included for tenor, trumpet and drums. A great showpiece for young groups. |
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Jam ‘N’ Jive $0 Capturing the jump swing excitement for beginning bands, Mike’s new original is flashy yet very playable. Featuring catchy sax riffs and hot brass punches, this up-tempo swinger is sure to light a fire at your next concert. Includes a flexible solo section with easy chords for soloing as well as short solo breaks for drums. |
Tommy Igoe

What kind of drum set should I get if I like doing jazz/swing, funk, and samba stlye music?
I’m thinking about selling my 5 piece First Act drum set because I don’t like the sound on it. I’m really into jazz, funk, etc. I like Tommy Igoe too. So, what type of drum set should I get that’s about less than $400 and what store would have it near Houston, Tx? Please give me all details. Thanks!
Is this a bit over your range? It’s recommended
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Getting Started on Drums featuring Tommy Igoe SETTING UP [VHS] $5.25 Featuring world-renowned drummer, solo artist, author and educator Tommy Igoe, the Getting Started on Drums series is an entertaining and educational way for beginning drummers to learn the right way to play – right from the start. Geared toward the compl… |
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Getting Started on Drums featuring Tommy Igoe SETTING UP – START PLAYING [VHS] $17.15 Two-tape set including the first volume, Setting Up Your Drums and the second volume, Start Playing!… |
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Getting Started on Drum featuring Tommy Igoe START PLAYING [VHS] $9.95 The most comprehensive package available for beginners. Features many valuable tips on setting up and tuning, techniques to get you started playing as well as play-along tracks to practice with. With world-renowned drummer, solo artist, author and educator, Tommy Igoe, “Getting Started On Drums” Series is an entertaining and educational way for beginning drummers to learn the right way t… |
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Getting Started on Drums Featuring Tommy Igoe DVD – Setting Up / Start Playing $13.23 Tommy Igoe brings his 25 years of teaching and playing experience to bear, creating the first DVD for beginner drummers! He takes you on a journey that starts with taking a brand new drum set out of the box and gets you started making music right away. Setting Up! (Part 1) is dedicated to understanding your new drums. All of your drums and hardware, along with Tommy’s unique “Power Square” concept… |
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Tommy Igoe Great Hands for a Lifetime $12.39 TOMMY IGOE:GREAT HANDS FOR A LIFETIME – DVD Movie… |
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Tommy Igoe Groove Essentials $14.28 GROOVE ESSENTIALS – DVD Movie… |
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Groove Essentials – The Play-Along 1.0 : A Complete Groove Encyclopedia for the 21st Century Drummer $12.52 Represents a new-generation play-along package and a quantum leap over anything else previously available in this vein with over 6 hours of music, including 47 grooves and feels from all over the world;most in two tempos;88 tracks in all, truly professional sketch charts and incisive text by Tommy. An interactive groove experience for all level drummers with rhythm tracks that feature some of New … |
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Tommy Igoe … |
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Tommy Igoe Groove Essentials 2.0 – The Play-Along Book/CD $13.90 Groove Essentials 2.0, the second edition of the best-selling original Groove Essentials features an instructional book and CD package with 53 drum grooves and over 100 variations for intermediate to advanced players. Drummers will learn the difference between ghost and grace notes (while being encouraged to experiment with both in all six groove “families”) as well as important “go-to” grooves, l… |
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Teach ME Drums DVD $21.52 … |
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Groove Essentials, Vol. 2 $24.95 Tommy Igoe / Digital Video Disc (DVD) / 2009 |
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Tommy Igoe – Groove Essentials $39.95 This value pack includes Tommy Igoe’s Groove Essentials – The Play-Along book/CD pack (06620095/$24.95) AND the Groove Essentials DVD (00320446/$24.95) for the low price of $39.95!The book serves as a play-along companion for the DVD with 88 tracks and charts and 164 groove variations for over 6 hours of play-along music! The DVD covers 47 grooves every drummer needs to know, with each groove broken down and demonstrated with music. Includes free giant groove poster! |

